Archive for the ‘drag’ Category
It was another stunning year of live performance in the Bay Area and beyond. I’m forgoing reviews this time, thanks to grad school demands. I’m grateful yet again for the embarrassment of riches…one of the many reasons I gladly call San Francisco home!
1) Matt Alber @ The Rickshaw Stop
Presented by SF Bear Pride
With NAKIA, Jeb Havens…
Program incl.: Monarch, The River, Velvet Goldmine, Old Wallingford, Tightrope, I Wanna Dance With Somebody, Field Trip Buddy, Hide & Seek, Always (ACAP), End of the World, Yellow, New York, Old Ghosts…
A taste of Matt live
2) Pink Martini @ The Hollywood Bowl
With China Forbes, Storm Large, Saori Yuki, Ari Shapiro…
Program incl.: Brazil, Zundoko bushi, Splendor in the Grass, Eugene, Hang on Little Tomato, Get Happy/Happy Days medley, And Then You’re Gone/But Now I’m Back medley, Yo Te Quiero Siempre…
3) Mephistopheles, San Francisco Opera
With Ildar Abdrazakov, Patricia Racette, Ramón Vargas, Marina Harris…
4) Anything Goes, Broadway Tour, Curran Theatre
With Rachel York, Fred Applegate, Erich Bergen, Alex Finke…
It’s that time again! I’m serving up my second annual Top 10 LIVE Performances of the year. It’s a follow-up to my ‘09 list. Sadly, there are no Broadway shows on this list. I plan on remedying that in 2011!
1. Die Walküre, San Francisco Opera (Details)
This production offered one of the finest casts that could possibly be assembled for this opera (and The Ring) in the current operatic landscape. The production said some new things, and offered a few fresh perspectives, but didn’t try too hard, or overshadow the score. Maestro Runnicles is a Wagnerian master, and he and the orchestra rose to the occasion again. Yeah, I was a “Supernumerary” in the production, but I was able to watch much of it from the orchestra during rehearsals, and even accounting for my bias, this would still takes my top spot. Enjoy my full review here.
2. Scalpel! The Musical, Brava Theatre (Details)
Can you say fun? It had me at the opening number, with countless heals and drag runway walks. It was the first show I’ve seen in the Brava, and I immediately loved this venue…the warm lighting, the urban ambience, and the straight, raked seating offering direct views. Even with all the camp and hijinks, the entire cast was completely committed to the material. This was the second mounting of the show, and my fingers are crossed that it returns yet again. Apparently, there was a bit of a curse on the production, with multiple cast injuries (including a very unfortunate broken leg for leading man, Mike Finn), but they pushed through, with some quick and fortuitous replacements and prevailed. Picturing Sara Moore as “poop-raking” TV reporter Kitty Kelly (“Hardballs” host) still makes me laugh.
3. Heidi Melton: Salon at the Rex, The Rex Hotel (Details)
To hear Heidi Melton plead in spoken french AND debut her chest voice was alone faint-worthy, and positively scintillating. And, to hear her in repertoire much outside her core operatic rep and comfort genres was a treat (ie: Irving Berlin and Kurt Weill cabaret, and Korngold songs). Her rendition of Berlin’s “Always” left not a dry eye in the audience. (Her Noe Valley Chamber Music Recital a few weeks before was also very beautiful). No thanks to the Adler “Future is Now” concert, which was on the same night, the recital was over all too soon (evidenced by a jcm quotation here and here)! I stuck around and imbibed and dined at the bar…I wanted to savor the spell Heidi had cast.
Two guest list tickets for an upcoming Pink Martini show, as well as some “other gifts” (possibly P.M. schwag?!). We’re contemplating one of the Hollywood Bowl Pink Martini shows in September. But, it’s tempting to save up for a European concert locale.
What people are saying
Pink Martini’s Business Manager shared this:
“We’ve been consistently amused by your video since its submission. In fact, it was the first video we received that we really loved, and at that time, unsure how the contest would go, we were relieved to know we had at least one gem. By far the best of the “home video” type entries we received.
We’d love to…post it permanently on our YouTube channel and on our website, and use it at other venues too. Thanks again for your video, and thank your fabulous cast for us as well!”
The creation of the video was a joy, but the contest announcements have brought it all to life again!
I now present to you my entry for La Cieca’s (parterre.com) light-hearted lip dub video competition:
Although a winner hasn’t been announced, happily, my entry was featured today on parterre.com: Darkest Before the Dawn
[UPDATE: I won! My video received the winning prize worth $200.00, and cries of “Bravissimo!,” “genius,” “brilliant,” “poignant” and “hilarious.” Woo-hoo!]
The song is opera diva Renée Fleming’s recent crossover single “Endlessly” (originally by Muse). It was GOBS of fun to create, and this is Faux Paul’s official video debut! A tragic tranny mess? Visionary? You be the judge, but it’s nothing if not fun. Plus, I didn’t know I was a blonde (the look chosen to APPROXIMATE the album cover)…the results proved me SO wrong.
For non-opera aficionados, the paper dolls are of Peter Gelb (he runs the Metropolitan Opera), Barbara Walters (operagoer), Mary Zimmerman (director), James Levine (music director and conductor at the Met), and La Cieca! (Yes, the inside jokes abound.)
I invite you to share comments directly below the video at vimeo.com link provided above! Praise me, roast me, sex me up, and so on!
Here’s the official collectible album cover:
Eleven months ago CJ and I launched the plans for my 40th Birthday celebration at the stylish, Mid-Century resort: The Century Palm Springs. Taking our favorite band’s festive inspiration, and our plans to imbibe cocktails aplenty, we named the weekend “Pink Martini-Land!”
Fast forwarding to one week before our departure, CJ made the very happy discovery on facebook of the Pink Martini music video contest. When I saw that “Ohayoo Ohio” (“Hello Ohio”) was one of the options, it was clearly kismet (I was born and raised in Cincinnati, Ohio). The stars had aligned, and we heeded their creative calling!
We hope you have even half as much fun as we did creating it! And now, we cross our fingers and hope that the judges get swept up into our world of muumuu runway shows, gleeful synchronized swimming, swingin’ faux percussion, “Mrs. Groper” (CJ as a baked Mrs. Roper-type) and more!
Lucky me that my 40th B-day landed on the same day as one of the most fabulous San Francisco parties of the year: “Halestorm.” It was a masquerade hosted by Ken Fulk at his SOMA interior design/staging studio, in honor of socialite Denise Hale. It also marked the creation of the Denise Hale Fund at the SF SPCA.
The entire cast of my current show “Pearls Over Shanghai” was invited to attend, in costume. (Perhaps Denise’s attendance at our March performance was research?) Other attending luminaries included the Newsoms, Michael Tilson Thomas, Ann Getty, Mark Leno, etc.
It was an unforgettable night, highlit by the yummy “Halestorm” cocktail (vodka, lime juice, thyme sprig+), and the parting gift, a breakfast McMuffin-sort of sandwich, wrapped in a branded wax paper sleeve. Perfection!
Entertainment included jazz singer Paula West, “Pearls…” cast member Connie Champagne, as well as faux queen Fauxnique. Upstairs we showed our moves on the dance floor.
Here are some of the priceless pix from our fun in the “Dressed to Kill” photobooth! As you can see, Chang gets luckier and luckier with each photo…but, by the end looses his seat to Russian femme fatale Petrushka (Veronica Klaus):
There’s been SO much press and discussion about Johnny’s “STARS On Ice” exclusion, and of him wanting to produce his own alternative show, complete with his Lady Gaga. I didn’t trust that any producer could get this off the ground as a tour…MAYBE as a one-time tv special (Johnny, please prove me wrong!). So, with my wildest fantasies sparked, I took the bull by the horns, and dreamt up something truly “family friendly” (nudge nudge, wink wink): “GAY STARS On Ice & Friends!” Instead of creating an entirely new name, it’s a more effective rubbing-in-the-face to alter it slightly…and “RAINBOWS On Ice” just doesn’t have any ring to it.
Some would argue that “STARS On Ice” IS essentially “GAY STARS On Ice…” already, in everything but name. However, the reaction to Johnny’s request for inclusion has clued us into the fact that this is not the case, at least as per some of the mainstream target audience. No, surprisingly, Johnny hasn’t verbally “come out,” but he upholds “gay” where it counts, and I, and gay kids everywhere applaud him for that.
My concept is for an independent skating show that would travel to only the hippest urban spots, aka the biggest gay cities: SF, NY, LA, Chicago, Boston, Washington, Dallas, Miami, etc. Oh, and the top-billing sponsor (ala Smuckers) goes to the maker of Twinkies® and Ho-Hos®…not to mention Sno Balls®! Yes, that’s “Hostess’ GAY Stars on Ice!”
The programs and performances would tip the scales in favor of the campy, flamboyant, and festive. BUT, there would be plenty of true, heartfelt gravitas as well, with a strong nod to high-classical repertoire (ie: from full-length ballet, and opera). It would honor and encourage the young aesthetic and spirit, AND the old gays.
What would be forbidden? Typical Pro/EX-skating fare: cheesy-sexy-faker rock (ala Michael Weiss, Josef Sabovcik, and just about any American pair’s EX), alpha-male, testosterone-filled movie soundtracks (ala Eldredge), karate-inspired numbers (ala Stojko), vanilla hip-hop (ala Belbin & Agosto, and Evan Lysacek), and so on. Basically, all the stuff that makes me yawn and avoid most Pro shows altogether these days.
What makes something “gay“ (besides the skater)? In short…1) a triumphant rising-from-the-ashes return of a diva (see Bobek and Harding); 2) male face makeup and glitter (ie: Johnny doing Gaga); 3) pride anthems (see Sandhu and Sawyer’s programs); 4) a nod to the older gay generation(s), who paved the way and, yes, we know, had it much harder (see Cranston); 5) plenty of pop and opera diva icons; and all this:
Program (Act I)
Vogue — Complete Cast
If You Were Gay (from Avenue Q) – Brian Boitano & Brian Orser
One (LIVE, by Adam Lambert) – Denise Biellmann
Bad Romance (LIVE, by Lady Gaga) – Johnny Weir
It’s Not Easy Bein’ Green (by Kermit) – Rudy Galindo
Guess Who I Saw Today (by Nancy Wilson, AMAZING video!) – Weir, Gregory
You Gotta Have a Gimmick (from Gypsy) – Tonya Harding
Sag Mir Wo die Blumen Sind (Where Have All the Flowers Gone?) (Marlene Dietrich) – Katarina Witt
Sisters (from White Christmas) – Stéphane Lambiel & Rudy Galindo (featuring a throw triple axel)
Act II: Le Lac Des Cygnes (from Swan Lake) – ALL the boys in tutus (ala Les Ballets du Trockadero)
For our January 8th show, we were graced with the presence of John Waters, as well as Sebastian, director of multiple Cockettes’ movies. The evening had a very special allure, thanks to their presence in the audience. Enjoy these vibrant photo moments from that performance, by fabulous photographer Dan Nicoletta.
“Your evil wish is my command, HONEY!”
Experience a taste of Lili’s fragile suffering here (ala Tebaldi).
I’d pay for two fistfuls of Yuans for that!
They are all “free, white, AND virgin”…at least when they arrive.
What else would you expect from a “Jaded Hussy”?
Mother Fu sure knows how to “THICKEN the plot”!
In January, in celebration of the 40th Anniversary of The Cockettes’ and their opening of “Pearls…” at The Palace theatre in San Francisco, there is a special “After Glow” floor show, featuring some fabulous drag king action! This image is from a scene from The Cockettes’ “Hot Greeks”:
From whores to boys. They sure do clean-up well!
Here are just a few more of the colorful faces at the Hypnodrome.:
Don’t miss it!!! We run til April 24th!