Archive for the ‘the life’ Category
My show-going in 2014 started out slowly, all thanks to grad school. But, thankfully, by the summer, it was in full swing again. So, there is plenty to gush about on my annual list. Always so grateful for the Bay Area offerings…and no doubt one of the reasons I continue to call it home, especially as travel is a bit fewer and farther between these days. Performer friends, if you’re show’s not on here, I didn’t see it <wink, wink>. I hope you enjoy my musings! What were your favorites of the year?
1. Cher, with Cyndi Lauper, at SAP Center – San Jose
Cher tops my list. Surprised? Cyndi was her opening act, with a voice still in surprisingly rocking’ shape. Can she really be 61? And, for that matter, can Cher really be 68?! (Don’t answer that.) Highlights were “If I Could Turn Back Time,” “Believe” (a remix), a “Gypsies, Tramps & Thieves,” and “Half Breed” carnival-themed set, and a Burlesque-themed set (incl. “You Haven’t Seen the Last of Me”), a duet with Sonny, and a staging in which she was floated above the audience, as if a religious icon (not that she isn’t). The show was really perfectly crafted…and OFFICIALLY her last. It indeed felt like a farewell. No one could pull off what she did. My friends and I had a ball, shaking our tail feathers and lip-syncing from our nose-bleeds once things heated up.
2. Matt Alber, at Great American Music Hall
Matt is the only solo repeater this year. He topped last year’s list. His brother, Lou Jane was the opening act this time. Matt’s set included “The Wind,” “The Stars,” “Field Trip Buddy,” “Rivers and Tides,” “Handsome Man,” “Velvet Goldmine,” “Rescue,” “Make You Feel My Love,” “House on Fire,” “Spectacularly,” “Brother Moon” (duet with brother, Lou Jane), “Always” (a jazzy, ACAP cover), “End of the World,” “Walking on Sunshine,” “Send in the Clowns”. It was a transfixing and warm, familial night. He alternated between piano and guitar accompaniment. His band and some classical instrumentalists joined for various songs, including a sensitively played cello, and his dad sweetly tickled the ivories as well.
3. Karrin Allyson, Jazz at Filoli Gardens
Her smoky tone and easy swagger make her one of my jazz favorites of late. Highlights included “All You Need to Say (Never Say Yes),” which features the moving line: “Search to find true happiness and the world will say yes – yes is all you need to say.” Also, Simon & Garfunkel’s “April Come She Will,” “All I Want” (Joni Mitchell), “What a Difference” (with Kenny Washington), Cat Steven’s “Wild World,” “O Baquino,” and “I Can Do Anything As Long As I Know You Love Me,” a beautiful new song by her. This is also a fantastic, intimate outdoor venue.
4. “Luster,” SFGMC, with Ann Hampton Callaway, at Davis Symphony Hall
This show featured “Tyler’s Suite,” a commissioned tribute to Tyler Clementi. Out of the three SFGMC shows I attended this season, this one was the stand-out. The chorus soloists were surprisingly solid, and the chorus delivered finely textured harmonies. Ann did an improvisational piano solo before which she asked for names and local/SF places of note from the audience, and incorporated them into her song. She had us rolling in the aisles. And that voice! So soulful, nurturing, contralto-ey. Cuts to my heart.
5. Nutcracker, SF Ballet
This production is still very fresh after 10 or so years, and delivers on all its holiday promise. Highlights were the Grand Pas de Deux, featuring Yuan Yuan Tan, and her VERY dashing prince, Luke Ingham (not pictured; I wonder if HE was “taught to be charming, not sincere”), and the magical snow scene, very moving with audible en pointe and snowfall onstage. They do NOT scrimp on the amount…for five minutes your head is in the Sierras. Calling the Zamboni!
6. Norma, SF Opera
The level of musical attunement, and true bel canto shared between Sondra Radvanovksy and Jaime Barton is a rarity these days. It harkened back to the Sutherland/Horne pairing in its best moments. How to say it…Rad’s voice is never not interesting to me. I don’t understand her vocal production, which makes it fascinating. It’s richly textured at best…buzzy at worst. Reminiscent of Callas in the lower range, and belted utterances. She was very liberal with the gossamer pianissimi, and offered some thrilling full-throttle high notes. Barton displayed moments of Horne in her lower chest. She knows how to move, and seems really “in her body,” which offered a sensuality. She’s also the most youthful Adalgisa I’ve yet seen, which made Pollione’s passion all the more believable. The production offered some nice detail, but didn’t inspire, and the Avatar-style makeup was mystifying. Norma’s two children were beyond precious.
7. Jimmy James, at Rebel
Highlights included his impersonations of Cher, Bette (doing “Feliz Navidad“), Barbra, Billie, and Liza (doing “Single Ladies”!!!) had us alternately in tears and stitches. He is a very skilled entertainer, with an incredibly versatile and impressive voice. I hope he’s fast becoming more of a gay household name that he should already be, aside from his ’80s appearances on the talk show circuit as THE perfect Marilyn impersonator.
8. Esalen Work Scholar “Reading,” in the Solarium
It was a privilege to sit in on this informal, private event. It featured teacher John Smith’s “If I Were a Robin,” and included original songs and poems/prose by the students. My emotional response to the event was no doubt stoked by the Big Sur setting, and the crackle of new writers growing their creative wings. Here’s “…Robin” from a previous show.
9. Showboat, SF Opera
What a treat to see this great american musical for the first time, and performed at this level. Standout performances were by Morris Robinson as Joe, and Kirsten Wyatt as Ellie Mae. Patricia Racette’s rendition of my favorite “Bill” was beautifully and movingly handled. Not operatic in the least. Perfectly scaled down. The production was beautiful and really served the piece.
10. Mary Lambert, at the Nourse Theatre
Mary is such an open-hearted, disarming, and authentic artist. She warmly invites you into her unique vision and storytelling. Highlights included “Jessie’s Girl” (cover), “My Body,” “She Keeps Me Warm,” and “No Secret” (encore). Her themes of body image, and mental illness/health are much needed in our current culture. Young Summer was the opening act. She was reminiscent of Lana del Rey.
Other Notable Performances:
• Michael Fabiano, as Rodolfo, La Boheme, SFO, delivered Golden Age tenorial squillo and passion
• Heidi Melton, in recital, SF Performances, SF Conservatory of Music, a Merola/Adler star returns again, incl. idiomatic and stunning Sibelius and Strauss sets
• Jef Valentine, in Panorama, ACT Costume Shop, a beautifully committed and personal vision of the Peter Pan legend
• Sean Patrick Murtagh, in Holiday Test Drive II, Martunis, incl. a perfect, refulgent “Oh Holy Night”
Favorite Drag Show of the Year:
MASCARA “Burlesque,” hosted by the Castro Country Club, featuring irreverent, moving, messy, unforgettable numbers by Uphoria, Serenity Heart, Jada Stevens, Dina Isis, Dusty Porn, and more. All in service of, to inspire, and raise funds for the queer recovery community.
Top 5 Best Movies of the Year (that I saw):
1. The Grand Budapest Hotel
2. Into the Woods
4. Love is Strange
5. The Theory of Everything
Share your favorites. And, here’s a toast to what 2015 brings!
My Christmas / holiday / solstice greeting for you, sharing a story of the gravitas and beauty of our humanity, from life in San Francisco…to our world. It combines a music track of mine, with some favorite illustration work.
I hope it resonates to you.❤
The music track is from “Christmas in the Ballroom” 2011, with solos by myself, Nicholas Patton, and Gina DiRado. Also featured are Ann Assarsson, Ryan James Brandau, Katie Brennan, Ivy Depner, Matt Peterson, Kathleen Pheneger, and Trond Gilberg on piano.
Illustrations are by Nikki Mclure, Paul Madonna, Barrie Maguire, Paul Bommer, Maggie, Marco Cibola, Mike Brennan, Aline Candido, Cathy Trautmann, Clifford Harper, Artflakes, Tugboat Print Shop, and misc. street artists (Berlin, and elsewhere).
I don’t own the rights to these illustrations, and use them humbly and with great admiration for the artists. This is not for any commercial purpose or broad circulation.
I enjoyed capturing the magic of the US Nationals Long Programs and Free Dances from my 16th row seats. My Canon PowerShot SX 2010 IS, although not a professional SLR, gets me close to the action, with its 14X zoom.
There were so many unforgettable moments, more predictably including the tributes to Rudy and Michelle, and LPs/FDs by gold medalists Jeremy Abbott, Davis & White, and Denney & Coughlin. But, brilliance from dark horses Ashley Wagner and Adam Rippon, as well as up-and-comers Jason Brown, Jonathan Cassar and Doug Razzano, and a rallying comeback from Carolyn Zhang were equally thrilling. My top 20 photos reflect some of these moments, and more.
I hope you enjoy the view from my seat!
Happy Christmas to you!
Click on the image or link below (and turn up your volume) to enjoy my favorite performance from Christmas in the Ballroom 2011 (a track off our live CD).
It features our chorale of 9 and pianist in a simple, largely unison arrangement of the Holst classic, by Catherine Bennett. So atmospheric and peace-filled.
The photography is from my february visit to beautiful Telluride, CO.
May you have peace and joy!
Enjoy an updated and edited version of my previous post on San Francisco Opera’s “Notes from Valhalla: The RING Blog”:
Two years ago I began a journey into the fire…into San Francisco Opera’s new production of Wagner’s Ring Cycle. That journey comes full circle (pun intended) this month.
It all started when I was invited to collaborate on the iconic brand image and identity for this Ring (with the fantastic design and marketing studio Mission-Minded). This alone was a dream come true. I had become an official Wagner-phile when I experienced SFO’s previous naturalistic production in 1999, with my dear operagoing friend Gil. (Watch the documentary Sing Faster for a great glimpse of that beloved production.)
The creative process began with a meeting with Director Francesca Zambello and General Director David Gockley, to discuss the particular approach of this new production (shared with ENO and WNO, but not yet performed in its entirety). The goal: to highlight the concept of destruction and rebirth, and portray a dose of the production’s modernity, including an accessible and familiar visual vernacular. (The production employs a trailer, projections of power lines and electrical towers, an office building board room, a stylish, contemporary bedroom…to mention just a few of these modern nods.)
The iconic image evolved in a direction that also took a tragic nod from 9/11, using the burning and fall of city skyscrapers to show the destruction of a civilization, parallel with that of nature (via a forest). Perched atop this, a reborn/renewed female visage…a triumphant Brünnhilde. The photo-illustration was made up of 15 or so separate images.
The stats helper monkeys at WordPress.com mulled over how jumping clapping man did in 2010, and here’s some interesting data on how the year looked!:
The Blog-Health-o-Meter™ reads Wow!
Madison Square Garden can seat 20,000 people for a concert. jcm was viewed about 68,000 times in 2010. If it were a concert at Madison Square Garden, it would have performed about
In 2010, I had 85 new posts, growing the total archive to 170 posts. I uploaded 265 pictures, taking up a total of 45mb. (That’s about 5 pictures per week.)
The busiest day of the year was February 16th with 1,469 views. The most popular post that day was Olympic Reigns Ending: Likelihoods or Naysaying?.
Where did they come from?
Some visitors came searching, mostly for cheeseburger, olympics 2010,
2010 olympics, vancouver olympics, and cheese burger. (“Cheeseburger”?…REALLY?!)
Attractions in 2010
These are the posts and pages that got the most views in 2010.
Olympic Reigns Ending: Likelihoods or Naysaying? July 2009
“Cheese Berger” July 2009
jcm’s ‘10 Olympics’ Podium Predictions Contest January 2010
Missteps, Falls & Wet Tushes March 2009
Heidi Melton: The Official Berlin E-Interview January 2010