Archive for the ‘Langhorne Slim’ Tag

jcm’s Top 10 Show Picks of 2018

WELCOME to my 10th ANNUAL (!) post of the finest shows that the SF Bay Area has to offer. I’ve loved taking in local live/stage shows all these years, and sharing my resonances and reactions with you. In that vein, I pass on to you Langhorne Slim’s poignant message (from the Rooster Stage at Hardly Strictly Bluegrass, my #5 entry below): “Wishing you peace, love & ALL THE SWEET SHIT in life!”

Especially in the past few years, the amount of what I’ve been able to experience has necessarily lessened, so this is hardly a comprehensive list. But I know what I like, and am grateful to have sampled even this much crème on top of another year of shows!

What were your favorite Bay Area performances of the year? Please share in the comments.

1) Erasure, World Be Gone Tour, The Masonic, August 17

Andy Bell gave us all (esp. the gays) a lesson in what 50-something can look like. He displayed boundless energy and a giving spirit, a fearless and bold play with his sensuality/sexuality (donning a faux tattoo full body tight), a voice nearly as fresh as in their earliest recordings (starting in ’86)…and THIS from someone who has had BOTH hips replaced! It was wonderful to dance with them for nearly half the concert. It was nearly impossible to stay in our seats.

erasure Fredy Rimando

(credit: Fredy Rimando)

Their setlist included every hit I craved to hear: Oh L’Amour, Ship of Fools, Breathe, Just a Little Love, Chains of Love, Sweet Summer Loving, Victim of Love, Phantom Bride, World Be Gone, Who Needs Love Like That, Atomic (Blondie cover), Love to Hate You, Blue Savannah, Drama!, Love You to the Sky, Sometimes, Always, Stop!, Encore: A Little Respect

2) Stacey Kent, I Know I Dream, The Fairmont, February 24

This was my second time seeing Stacey, her husband and bandleader Jim Tomlinson at the Fairmont. This concert was just as transporting. I lapped up the broad range of songs she performed, from diverse cultures and song traditions. But it is her Bossa Nova repertoire that will remain my favorite from her. Thankfully, this setlist offered at least 4 of them. Stacey always leaves me wanting more…just like travel, love, and sex, which most of her songs are about.

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Highlights included: Make it Up, (a Jobim song), Les Amours Perdues, Happy Talk (by Rogers & Hammerstein), The Very Thought of You, Polka Dots and Moonbeams (Sinatra’s first hit, a requested song), Bullet Train, To Say Goodbye (by Edu Lobo, Brazilian), La Rua Madureira, Je Palle d’amore (by Nina Ferrer, performed as a samba, with a more hopeful air), Mon Jardin Hiver

The lyrics to their original, Make it Up really resonated to me:

“I love you and you love me
And I can’t tell you why
You’d have thought by now we’d have figured out
The reason and the rhyme
You love me and I love you
And it’s been this way so long
That if we knew what were doing
We’d be doing it all wrong
So let’s just make it up as we go along.”

3) Roberto Devereux, San Francisco Opera, September 18

Sondra Radvanovsky displayed dramatic and vocal fearlessness. A voice of this grand scale (aka true dramatic coloratura) was a treat in this repertoire. It made me crave some Wagner rep. from her, perhaps Senta, or even an attempt at Isolde, neither or which she has performed. Her final mad scene was surprisingly beautiful, and affecting. Her haggard and harried appearance never disrupted the sung line. It elicited a level of feeling from me the rest of the opera hadn’t, as much of it was VERY technically polished, but perhaps a bit too period.

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(credit: Cory Weaver)

I really liked the production, particularly the mini opera that accompanied the overture. Jamie Barton delivered gobs of glorious tone, and with great dramatic commitment, even if some of the surtitles, and period cultural considerations elicited laughter. As always, she called to mind Marilyn Horne’s fach, but with cleaner technique. I could have done without her rape by the Duke.

Russell Thomas was very impressive too. It was great to see this trio back together again after our ’14 SFO Norma!

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