Archive for the ‘gay’ Category
My show-going in 2014 started out slowly, all thanks to grad school. But, thankfully, by the summer, it was in full swing again. So, there is plenty to gush about on my annual list. Always so grateful for the Bay Area offerings…and no doubt one of the reasons I continue to call it home, especially as travel is a bit fewer and farther between these days. Performer friends, if you’re show’s not on here, I didn’t see it <wink, wink>. I hope you enjoy my musings! What were your favorites of the year?
1. Cher, with Cyndi Lauper, at SAP Center – San Jose
Cher tops my list. Surprised? Cyndi was her opening act, with a voice still in surprisingly rocking’ shape. Can she really be 61? And, for that matter, can Cher really be 68?! (Don’t answer that.) Highlights were “If I Could Turn Back Time,” “Believe” (a remix), a “Gypsies, Tramps & Thieves,” and “Half Breed” carnival-themed set, and a Burlesque-themed set (incl. “You Haven’t Seen the Last of Me”), a duet with Sonny, and a staging in which she was floated above the audience, as if a religious icon (not that she isn’t). The show was really perfectly crafted…and OFFICIALLY her last. It indeed felt like a farewell. No one could pull off what she did. My friends and I had a ball, shaking our tail feathers and lip-syncing from our nose-bleeds once things heated up.
2. Matt Alber, at Great American Music Hall
Matt is the only solo repeater this year. He topped last year’s list. His brother, Lou Jane was the opening act this time. Matt’s set included “The Wind,” “The Stars,” “Field Trip Buddy,” “Rivers and Tides,” “Handsome Man,” “Velvet Goldmine,” “Rescue,” “Make You Feel My Love,” “House on Fire,” “Spectacularly,” “Brother Moon” (duet with brother, Lou Jane), “Always” (a jazzy, ACAP cover), “End of the World,” “Walking on Sunshine,” “Send in the Clowns”. It was a transfixing and warm, familial night. He alternated between piano and guitar accompaniment. His band and some classical instrumentalists joined for various songs, including a sensitively played cello, and his dad sweetly tickled the ivories as well.
3. Karrin Allyson, Jazz at Filoli Gardens
Her smoky tone and easy swagger make her one of my jazz favorites of late. Highlights included “All You Need to Say (Never Say Yes),” which features the moving line: “Search to find true happiness and the world will say yes – yes is all you need to say.” Also, Simon & Garfunkel’s “April Come She Will,” “All I Want” (Joni Mitchell), “What a Difference” (with Kenny Washington), Cat Steven’s “Wild World,” “O Baquino,” and “I Can Do Anything As Long As I Know You Love Me,” a beautiful new song by her. This is also a fantastic, intimate outdoor venue.
4. “Luster,” SFGMC, with Ann Hampton Callaway, at Davis Symphony Hall
This show featured “Tyler’s Suite,” a commissioned tribute to Tyler Clementi. Out of the three SFGMC shows I attended this season, this one was the stand-out. The chorus soloists were surprisingly solid, and the chorus delivered finely textured harmonies. Ann did an improvisational piano solo before which she asked for names and local/SF places of note from the audience, and incorporated them into her song. She had us rolling in the aisles. And that voice! So soulful, nurturing, contralto-ey. Cuts to my heart.
5. Nutcracker, SF Ballet
This production is still very fresh after 10 or so years, and delivers on all its holiday promise. Highlights were the Grand Pas de Deux, featuring Yuan Yuan Tan, and her VERY dashing prince, Luke Ingham (not pictured; I wonder if HE was “taught to be charming, not sincere”), and the magical snow scene, very moving with audible en pointe and snowfall onstage. They do NOT scrimp on the amount…for five minutes your head is in the Sierras. Calling the Zamboni!
6. Norma, SF Opera
The level of musical attunement, and true bel canto shared between Sondra Radvanovksy and Jaime Barton is a rarity these days. It harkened back to the Sutherland/Horne pairing in its best moments. How to say it…Rad’s voice is never not interesting to me. I don’t understand her vocal production, which makes it fascinating. It’s richly textured at best…buzzy at worst. Reminiscent of Callas in the lower range, and belted utterances. She was very liberal with the gossamer pianissimi, and offered some thrilling full-throttle high notes. Barton displayed moments of Horne in her lower chest. She knows how to move, and seems really “in her body,” which offered a sensuality. She’s also the most youthful Adalgisa I’ve yet seen, which made Pollione’s passion all the more believable. The production offered some nice detail, but didn’t inspire, and the Avatar-style makeup was mystifying. Norma’s two children were beyond precious.
7. Jimmy James, at Rebel
Highlights included his impersonations of Cher, Bette (doing “Feliz Navidad“), Barbra, Billie, and Liza (doing “Single Ladies”!!!) had us alternately in tears and stitches. He is a very skilled entertainer, with an incredibly versatile and impressive voice. I hope he’s fast becoming more of a gay household name that he should already be, aside from his ’80s appearances on the talk show circuit as THE perfect Marilyn impersonator.
8. Esalen Work Scholar “Reading,” in the Solarium
It was a privilege to sit in on this informal, private event. It featured teacher John Smith’s “If I Were a Robin,” and included original songs and poems/prose by the students. My emotional response to the event was no doubt stoked by the Big Sur setting, and the crackle of new writers growing their creative wings. Here’s “…Robin” from a previous show.
9. Showboat, SF Opera
What a treat to see this great american musical for the first time, and performed at this level. Standout performances were by Morris Robinson as Joe, and Kirsten Wyatt as Ellie Mae. Patricia Racette’s rendition of my favorite “Bill” was beautifully and movingly handled. Not operatic in the least. Perfectly scaled down. The production was beautiful and really served the piece.
10. Mary Lambert, at the Nourse Theatre
Mary is such an open-hearted, disarming, and authentic artist. She warmly invites you into her unique vision and storytelling. Highlights included “Jessie’s Girl” (cover), “My Body,” “She Keeps Me Warm,” and “No Secret” (encore). Her themes of body image, and mental illness/health are much needed in our current culture. Young Summer was the opening act. She was reminiscent of Lana del Rey.
Other Notable Performances:
• Michael Fabiano, as Rodolfo, La Boheme, SFO, delivered Golden Age tenorial squillo and passion
• Heidi Melton, in recital, SF Performances, SF Conservatory of Music, a Merola/Adler star returns again, incl. idiomatic and stunning Sibelius and Strauss sets
• Jef Valentine, in Panorama, ACT Costume Shop, a beautifully committed and personal vision of the Peter Pan legend
• Sean Patrick Murtagh, in Holiday Test Drive II, Martunis, incl. a perfect, refulgent “Oh Holy Night”
Favorite Drag Show of the Year:
MASCARA “Burlesque,” hosted by the Castro Country Club, featuring irreverent, moving, messy, unforgettable numbers by Uphoria, Serenity Heart, Jada Stevens, Dina Isis, Dusty Porn, and more. All in service of, to inspire, and raise funds for the queer recovery community.
Top 5 Best Movies of the Year (that I saw):
1. The Grand Budapest Hotel
2. Into the Woods
4. Love is Strange
5. The Theory of Everything
Share your favorites. And, here’s a toast to what 2015 brings!
A gay take on a great scene from one of my favorite movies, and arguably one of the best romantic comedies of all time (which I just gladly rewatched).
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Harry: You realize of course that we could never be friends.
Sal: Why not?
Harry: What I’m saying is — and this is not a come-on in any way, shape or form — is that gay men can’t be friends because the sex part always gets in the way.
Sal: That’s not true. I have a number of gay male friends and there is no sex involved.
Harry: No you don’t.
Sal: Yes I do.
Harry: You only think you do.
Sal: You say I’m having sex with them without my knowledge?
Harry: No, what I’m saying is they all WANT to have sex with you.
Sal: They do not.
Harry: Do too.
Sal: How do you know?
Harry: Because no gay man can be friends with a man that he finds attractive. He always wants to have sex with him.
Sal: So, you’re saying that a gay man can be friends with a man he finds unattractive?
Harry: No. You pretty much want to nail ’em too.
Sal: What if THEY don’t want to have sex with YOU?
Harry: Doesn’t matter because the sex thing is already out there so the friendship is ultimately doomed and that is the end of the story.
Sal: Well, I guess we’re not going to be friends then.
Harry: I guess not.
Sal: That’s too bad. You were the only person I knew in San Francisco.
But, at least Harry doesn’t have to worry about Sal faking an orgasm (ala Meg Ryan)!
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Brace yourself for this historic and tragic first-ever NorCal gathering of parterre.com fans and followers! La Cieca has sanctioned it with an amusing post. We hope you can join us…I know I’m just itchin’ to get on with it. Opera fanciers, queens and lovers are encouraged and welcome too.
A SF/Bay Area parterre.com Soirée…dare I say: Demented Mini-Conference? Perhaps our fair Queen Mum herself, La Cieca will descend upon our happy occasion and lead us in some gaiety. Although, Nilsson, Tebaldi and Rysanek’s attendance is more likely.
Chinese Pagoda (pictured below), on Stow Lake, Golden Gate Park, San Francisco
Location details: eastern tip of Stow Lake island, just south of Stow Lake waterfall, just southwest of the red star on this map.
We can mosey over to the Verdi Statue, towards the end for “Va Pensiero” and a knelt adoration. And, I’ll be sure to pass by the Beethoven Statue too on the walk home to make sure he doesn’t feel left out.
12 noon – 3pm, Saturday, July 31st
(If too foggy, wet or cold, our back-up date is: Saturday, August 28th.)
What to bring?
Please bring something to share, by last name, as below. (If you object or have a terribly pinched wallet, you are still welcome to come, but please let me know.) Opera-or-Chinoiserie-related themes encouraged, but random, store-bought lameness fine too:
A – F: savory dish, finger food, or substantial snack
G – M: salad
N – S: beverages…chinese tea anyone?
T – Z: dessert
All (good/festive/opera-related ideas) welcome! I plan to shoot a Wenarto-inspired video shoot, involving those who are interested. If you have any operatic accessories (particularly Chinese), please bring/wear them to spice up our video.
My iPod will be chock full of apropos selections, but feel free to bring yours as well, if you’re compelled. Again, orientalism encouraged (given our setting).
If we find a bevy of pigeons or a rival encampment has already inhabited the pagoda, we’ll be forced to shift our location, so it’s best if you RSVP beforehand, so I can give you my cell phone number, in case we should need to move.
Two guest list tickets for an upcoming Pink Martini show, as well as some “other gifts” (possibly P.M. schwag?!). We’re contemplating one of the Hollywood Bowl Pink Martini shows in September. But, it’s tempting to save up for a European concert locale.
What people are saying
Pink Martini’s Business Manager shared this:
“We’ve been consistently amused by your video since its submission. In fact, it was the first video we received that we really loved, and at that time, unsure how the contest would go, we were relieved to know we had at least one gem. By far the best of the “home video” type entries we received.
We’d love to…post it permanently on our YouTube channel and on our website, and use it at other venues too. Thanks again for your video, and thank your fabulous cast for us as well!”
The creation of the video was a joy, but the contest announcements have brought it all to life again!
I now present to you my entry for La Cieca’s (parterre.com) light-hearted lip dub video competition:
Although a winner hasn’t been announced, happily, my entry was featured today on parterre.com: Darkest Before the Dawn
[UPDATE: I won! My video received the winning prize worth $200.00, and cries of “Bravissimo!,” “genius,” “brilliant,” “poignant” and “hilarious.” Woo-hoo!]
The song is opera diva Renée Fleming’s recent crossover single “Endlessly” (originally by Muse). It was GOBS of fun to create, and this is Faux Paul’s official video debut! A tragic tranny mess? Visionary? You be the judge, but it’s nothing if not fun. Plus, I didn’t know I was a blonde (the look chosen to APPROXIMATE the album cover)…the results proved me SO wrong.
For non-opera aficionados, the paper dolls are of Peter Gelb (he runs the Metropolitan Opera), Barbara Walters (operagoer), Mary Zimmerman (director), James Levine (music director and conductor at the Met), and La Cieca! (Yes, the inside jokes abound.)
I invite you to share comments directly below the video at vimeo.com link provided above! Praise me, roast me, sex me up, and so on!
Here’s the official collectible album cover:
Eleven months ago CJ and I launched the plans for my 40th Birthday celebration at the stylish, Mid-Century resort: The Century Palm Springs. Taking our favorite band’s festive inspiration, and our plans to imbibe cocktails aplenty, we named the weekend “Pink Martini-Land!”
Fast forwarding to one week before our departure, CJ made the very happy discovery on facebook of the Pink Martini music video contest. When I saw that “Ohayoo Ohio” (“Hello Ohio”) was one of the options, it was clearly kismet (I was born and raised in Cincinnati, Ohio). The stars had aligned, and we heeded their creative calling!
We hope you have even half as much fun as we did creating it! And now, we cross our fingers and hope that the judges get swept up into our world of muumuu runway shows, gleeful synchronized swimming, swingin’ faux percussion, “Mrs. Groper” (CJ as a baked Mrs. Roper-type) and more!
My head is still a bit in the clouds, after an unforgettable 40th birthday celebration in Palm Springs, entitled “Pink Martini-Land!”. It was our second time at The Century resort, and I already can’t wait to go back. My friends made it so very special, *sigh*! Wanna stay there yourself, or see details, go to www.centurypalmsprings.com