Archive for October, 2010|Monthly archive page
I’m ecstatic to announce the launching of Heidi Melton’s Official NEW Website!
Click on the image or link below to visit her site. Once there, review her upcoming performances (book your flights!), sample her incredible artistry (via multimedia), read her blog musings, and more! She’s taking the opera world by storm. GO HEIDI!
I designed and built the site from start to finish (using the SquareSpace platform). It’s an honor be her friend, FANatic, AND web designer.
The Adventures of…
“Look! Up on the stage! It’s a samisan, it’s a parasol, it’s SUPER-KOKEN!
Slower than a drifting glacier, more stealthy than a leopard on the hunt.
Able to spin the turntable in a single hook.”
Further Feats: 40 minutes of standing in a demi-plié, 6 child’s poses, 30 minutes in a forward yoga lay, 16 turntable rotations, 1 death-defying silk drop catch, and more!
But, don’t all superheroes have baggage? Thus, I deliver my diagnosis of the Koken: In need of treatment for OCD and chronic inefficiency. These Kabuki-inspired characters in San Francisco Opera’s Madama Butterfly (of which I am 1 of 6) unfailingly offer up perfectly aligned prop placement and table settings, and impossibly measured, controlled movement. SICK!
From a serious perspective, I love exploring and learning different kinds of movement (and dance). Ours requires us to be very in sync, and move nearly as one, in an energized, yet internalized way (like the Tai Chi we trained in). It’s been the best workout I’ve gotten in ages (boy, those pliés are GREAT for the inner thighs!). I’m also savoring the meditative, spiritual practice I’m experiencing through the incredible presence this technique requires.
Given that our all-black costumes are very much like those of a ninja, our presence lends an air of intrigue and gravitas to the unfolding of the proceedings.
Demystifying Illusion & Stagecraft (WARNING: SPOILERS)
I’m amazed at how transforming the art of illusion and stagecraft are, when used so masterfully. Up-close and unlit, the set shows its almost 30 years, and doesn’t really “sing”…BUT, when lit, and from the house, it emerges full bloom into a seemingly living and breathing world. The fiber board panels with overlapping green carpet look like REAL stone and earth. The perforated metal panels that up-close look too thick and heavy-handed, appear exactly like paper screens. GENIUS!
The technological trick that enables the crew to rotate the turntable a calculated amount each time is a crafty system that includes UV painted numbers on the TT rim, that when black-lit from the side are visible only to the offstage crew. This ensures exact placements every time. WOW! Yes, the cat’s outta the bag, the Koken only pantomime the TT rotation, but it’s still a workout to make it look real, with right degree of physical tension.