Archive for the ‘la chanson perpétuelle’ Tag
L’Objet du Désir
Back in the pre-youtube days (yes, a mere 5+ years ago), presumably in one of my crusty old opera books, I came across this photo of a french diva who performed to acclaim from the mid-50’s through 70’s. I remember being smitten, and trying to imagine experiencing a great lyric soprano, in this case as Thaïs, in such an alluring, voluptuous package (my feminine ideal, which I wish would return to favor). I also stood in disbelief of the costume, which could hold its own even among today’s drag best, and would still be considered shocking on the stage of any international opera house. This exotic, statuesque vision was one Andrée Esposito.
Somehow she only reentered my radar last week. I’ve been transfixed since, exploring her art on youtube. Yes, she had much more than just a beautiful physique. Her elegant phrasing and on-the-breath tonality bears more than a slight resemblance to another of my favored divas, Eleanor Steber. One can also hear flashes of Sills’ attack and brightness, but none of her acidity or tonal pressing. This is impassioned, fully committed, unforgettable singing, and particularly idiomatic in her native french.
She embodies all the finest qualities of the french operatic style: a ringing, well supported column of sound, and the perfect dose of taut tonal nasality. But, unlike Steber, who sometimes stepped over into a matronly firmness of tone, Andrée, while having thrust, never muscles past a girlish vulnerability. So many of the quintessential french divas of mid-century (ie: Vallin, Robin) offer too brittle or bright a sound for my ears, and one which feels more caricaturish and less human. Andrée offers the best of their qualities, but balanced with a cool smoothness more pleasing, and realness more affecting to my modern ears.
An Overview: Her Life & Career
She was born (February 7, 1934) in Algiers, Algeria, into a family of French-Italian origin. She completed her studies at the Paris Music Conservatory, where she was a pupil of Louis Noguéra and Charles Panzéra.
Andrée was then quickly invited to all the major opera houses of France, including the Paris Opéra-Comique, singing the standard French light lyric repertory: Olympia, Philline, Mireille, Micaela, Leila, and Lakmé. She made her debut at the Paris Opéra in 1959, as Violetta. Other roles there included Rosina, Lucia, Gilda, Xenia, Marguerite, Juliette, Manon, Thaïs. She also enjoyed singing Rosalinda and Hanna. She was also a very active recitalist.
Andrée was married to French baritone Julien Haas, with whom she often appeared on stage, the two were also active as voice teachers at the Strasbourg Music Conservatory. (Wikipedia)
A Video Sampling
These videos are some of her finest offerings available online (do NOT miss “La Chanson perpétuelle” below). Both the Mireille and Manon duos are with the elegant, tender french lyric tenor Alain Vanzo.
“Oses venir, toi qui braves Vénus!,” from Massenet’s Thaïs
With Andrée as the courtesan Thaïs, this recording (french radio, 1959) also features the magnificent Robert Massard as Athanaël, a Cenobite monk, and tenor Jean Mollien, as the nobleman Nicias. Albert Wolff conducts.